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Source listing (playlist) |
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Artist | Song title | Album | Year | ||||
---|---|---|---|---|---|---|---|
Comment | |||||||
Mostly complete and in order of first appearance (sources collaged and layered together simultaneously) | |||||||
Lemon Jelly | Page One | Lemonjelly.ky | 2000 | ||||
Intro loop only | |||||||
Ken | The mind is trying to lead the way | 2017 | |||||
Frightened Rabbit | The Wrestle | The Winter of Mixed Drinks | 2010 | ||||
Loops | |||||||
Lara Flynn Boyle | Crying 1 | Twin Peaks pilot episode | 1990 | ||||
Tom Carter | Prussian Book of the Dead | Long Time Underground | 2015 | ||||
Lara Flynn Boyle | Crying 2 | Twin Peaks: Pilot episode | 1990 | ||||
Ken Olin | Crying | thirtySomething: Season 4, episode 14 | 1991 | ||||
Melanie Mayron | Crying | thirtySomething: Season 4, episode 14 | 1991 | ||||
Lykke Li | Just Like a Dream | I Never Learn | 2014 | ||||
J.C. Quinn, Matthew Modine (actors), Harold Becker (director), Terry Davis (novel writer), Darryl Ponicsan (writer) | It's what happens in that 6 minutes | Vision Quest movie | 1985 | ||||
Pele gets excited and he rips off his jersey and starts running around the stadium waving it around his head. Everybody's screaming in Spanish. I'm here, sitting alone in my room, and I start crying. That's right, I start crying. Because another human being, a species that I happen to belong to, could kick a ball, and lift himself, and the rest of us sad-assed human beings, up to a better place to be, if only for a minute... let me tell ya, kid - it was pretty goddamned glorious. It ain't the six minutes... it's what happens in that six minutes. | |||||||
Beethoven | Variation I | Beethoven Vol. 8 Cello Sonatas | |||||
Maisky, Cello; Argerich, Piano | |||||||
Lara Flynn Boyle (voice); Alan Rudolph (director, writer) | Crying | Equinox movie | 1992 | ||||
Zach Braff, Natalie Portman | About crying | Garden State movie | 2004 | ||||
Chandeen | Mirror | Spacerider - Love At First Sight | 1998 | ||||
Rob the Viking | Loop | Beats to Pillage and Conquer By | 2003 | ||||
Deadmau5 | Strobe (Club Edit) | For Lack of a Better Name | 2016 | ||||
Layers | |||||||
Matthew Broderick (voice), Alexander Payne (director, writer), Tom Perrotta (novel writer), Jim Taylor (writer) | Admit she lied and cheated | Election movie | 1999 | ||||
It all came flooding back. My first impulse was to run over there, pound on her window, and demand that she admit she'd lied and cheated. But instead, I just stood there. And I suddenly realized I wasn't angry at her anymore. I just felt sorry for her. I mean, when I think about my new life, and all the exciting things I'm doing, and then I think about what her life must be like, probably still getting up at 5 in the morning to pursue her pathetic little dreams, it just makes me sad. I mean, where is she really trying to get to, anyway? And what is she doing in that limo? Who the fuck does she think she is? | |||||||
Lara Flynn Boyle (voice); Alan Rudolph (director, writer) | You have to know these things when they happen | Equinox movie | 1992 | ||||
She didn't understand that it might have been her only chance | |||||||
Matthew Modine, Lara Flynn Boyle (voices); Alan Rudolph (director, writer) | There's always this pushing and pulling inside of me | Equinox movie | 1992 | ||||
I don't know what it is, it's just there. I never know what to do, so I don't do anything. I just go home to my hole and put it all someplace else. | |||||||
Ken | The comings and the goings | 2017 | |||||
Are you looking for meaning? | |||||||
Clem Leek | The Diary I Never Kept | Lifenotes | 2011 | ||||
Bill Cosby | Coming at you with music and fun, if you're not careful you may learn something before it's done | Fat Albert and the Cosby Kids show | 1972 | ||||
Ken's Last Ever Radio Extravaganza | Excerpts | 11/19/16 #2, show #513 | 2016 | ||||
Contains various samples, incl. different part of Lemon Jelly "Page One", and other looping of War on Drugs "Eyes to the Wind" | |||||||
War on Drugs | Eyes to the Wind | Lost in the Dream | 2014 | ||||
Loops | |||||||
Billy Crystal, Bruno Kirby (voices), Rob Reiner (director), Nora Ephron (writer) | Don't fuck with Mister Zero | When Harry Met Sally | 1989 | ||||
It was all a lie | |||||||
John Hughes | Live at Dance New England Contact Jam 2015 | Live Performance Clips | 2015 | ||||
STS9 | Circus | Live at House of Blues, Chicago | 2016 | ||||
Gailard Sartain, Matthew Modine (voices), Alan Rudolph (director, writer) | Equinox, where light and dark are equal | Equinox movie | 1992 | ||||
Clint Mansell, Kronos Quartet & Mogwai | Xibalba | The Fountain s.t. | 2006 | ||||
Layers | |||||||
Kevin J. O'Connor, Matthew Modine (voices); Alan Rudolph (director, writer) | Things can change just like that | Equinox movie | 1992 | ||||
Chandeen | Spacerider | Spacerider - Love At First Sight | 1998 | ||||
Madchen Amick, James Spader (voices), Nicholas Kazan (director, writer) | Getting to know someone is like peeling an onion. (It makes you cry?) Layers, and more layers. | Dream Lover | 1993 | ||||
Madchen Amick, James Spader (voices), Nicholas Kazan (director, writer) | I tried to tell you so many times, thought you'd stop loving me if you knew | Dream Lover | 1993 | ||||
Tyra Ferrell (voice); Alan Rudolph (director, writer) | Your whole life is about finding the one thing | Equinox movie | 1992 | ||||
Madchen Amick, James Spader (voices), Nicholas Kazan (director, writer) | You've seen who I really am, more than anybody ever, but you kept on loving me. | Dream Lover | 1993 | ||||
A psychopath can still love somebody, can't they? | |||||||
Ken | I don't know why it happens (which doesn't mean there isn't a reason) | 2017 | |||||
I try to connect dots. I try to come up with the most interesting explanations for why people do what they do. I try to conform things to my subconcious worldview. I expect everything to confirm. I don't believe it when it doesn't happen that way. I let my emotions take over. | |||||||
Ken | I think you do the same thing | 2017 | |||||
Inside there's just a child. The child is trying to get power. The child is trying to have a voice. The child is trying to find everything it couldn't have. The child can get sad. The child can get angry. The child can try to define itself in relation to others. The child can try to test boundaries, see what's reliable, see what it can get away with, see if it can ensure predictability. The child wants things to just be the way they've been. Don't mess with the child. The child's got nothing else to do but sit there and figure out what it's going to do next, how it's going to succeed. There's nobody there to stop it. Nobody's going to stop the child. Nobody would dare. Children are important. Inner children are very important. Inner children are our future. One day, your inner child is going to run the world. | |||||||
Daniel Lanois | The Deadly Nightshade | Belladonna | 2005 | ||||
Layers | |||||||
Ken | ID | 2017 | |||||
I appreciate your ever-changing qualities | |||||||
Fridge | Five Combs | Happiness | 2001 | ||||
Loops | |||||||
Lambchop | About My Lighter | aw c'mon - no you c'mon | 2004 | ||||
Loops | |||||||
Tom Tykwer (director) | Short term memory screwed up (German) | Winterschlafer (Winter Sleepers) movie | 1997 | ||||
M. | On UVA bookstore | 2012 | |||||
It's such a shame | |||||||
Ricky Gervais | You don't need everyone on the planet to like you | Time Interview | 2007 | ||||
More people hate it than like it. Obviously. Luckily, you don't need everyone on the planet to like you. So, you do it for you and like-minded people | |||||||
Joe Frank | What am I doing in this country? | Another Country Pt. 3 | 1986 | ||||
She said, I can't stand America, I can't stand the isolation in this country. And he said, look, let's go to a movie. And she screamed, I don't want to go to another movie, I can't stand going to another movie. That's all you Americans do is watch television and go to movies. You go from your apartment into a dark theater and you sit in silence and watch something for two hours, and then you have some coffee, and that's it. | |||||||
Joshua Schaefer (voice), Michael Davis (director, writer) | All activities are passing time until we can make love again | Eight Days a Week movie | 1997 | ||||
Genevieve Bujold (voice), Alan Rudolph (director, writer) | Imagine what you say has impact, I'm just a clown | Choose Me movie | 1984 | ||||
Andre Gregory, Wallace Shawn (voices, writers), Louis Malle (director) | Becoming aware, chewing your food, electric blankets | My Dinner With Andre movie | 1981 | ||||
George Lucas | Be brave enough to take one step beyond | The Making of American Graffiti | 1998 | ||||
A character who is put into a situation where they have to make a decision to leave. They're all about that transitional time in a person's life when you have to make a major change. How you become brave enough to take one step beyond and go into something that you're not really that experienced at. | |||||||
Peter Sellers (voice); Jerzy Kosinski (writer); Hal Ashby (director) | This is just like television, but you can see much further | Being There movie | 1979 | ||||
Donald Sutherland, Timothy Hutton (voices); Robert Redford (director); Alvin Sargent, Judith Guest (writers) | How was the show? | Ordinary People film | 1980 | ||||
Yeah? You OK? Mm mm, yeah. How was the show? Trouble sleeping? No. You sure? Mm mm. Burning the midnight oil? Yeah. OK. Have you thought about calling that doctor? No. Well, the month's up; I think we should stick to the plan. The plan was, IF I needed to call him. Yeah, OK. Don't worry about it. Get some sleep. By the way, I'm working on those Michigan State tickets. OK. | |||||||
Mary Tyler Moore (voice); Robert Redford (director); Alvin Sargent, Judith Guest (writers) | What was it you were thinking about? | Ordinary People film | 1980 | ||||
Clem Leek | A Light to Guide You | Various: For Nihon | 2011 | ||||
Madchen Amick, James Spader (voices), Nicholas Kazan (director, writer) | If the things you tell me aren't the truth, what is? | Dream Lover | 1993 | ||||
Fredric Lehne (voice), Nicholas Kazan (director, writer) | Sometimes everything is a clue, what you think is paranoia is really heightened awareness | Dream Lover | 1993 | ||||
Madchen Amick, James Spader (voices), Nicholas Kazan (director, writer) | Whose kids, are they mine, do you know? Of course I know, and I'm still not going to tell you | Dream Lover | 1993 | ||||
Alan Oppenheimer, others (voices); Michael Crichton (director, writer) | We don't know exactly how they work | Westworld movie | 1973 | ||||
I must confess I find it difficult to believe in a disease of machinery. We aren't dealing with ordinary machines here; these are highly complicated pieces of equipment -- almost as complicated as living organisms. In some cases, they've been designed by other computers. We don't know exactly how they work. | |||||||
John Wayne | The Pledge of Allegiance | America, Why I Love Her | 1973 | ||||
Disney | Full attraction | EPCOT: American Adventure | 1982? | ||||
Disney | Progress City Music & Narration | The General Electric Carousel of Progress (Disneyland) | 1964 | ||||
Looks like tomorrow is already here. Going shopping is simply a breeze. Today, our whole downtown is completely enclosed. Far off to the right, we have a welcome neighbor: A GE nuclear power plant. Outdoor lighting has added hours to our recreation time. It's not exactly Disneyland, but it is clean and bright and lots of fun. | |||||||
Monty Python | I'm So Worried | Contractual Obligation Album | 1980 | ||||
Maury Chaykin (voice); John Badham (director), Lawrence Lasker & Walter F. Parkes (writers) | Remember when you told me to tell you when you were acting rudely or insensitively? You're doing it right now | WarGames movie | 1983 | ||||
Patricia Arquette, Christian Slater (voices); Tony Scott (director); Quentin Tarantino (writer) | If I'm with you, I'm with you | True Romance movie | 1993 | ||||
Patricia Arquette, Christian Slater (voices); Tony Scott (director); Quentin Tarantino (writer) | Stop being so fucking calm about this | True Romance movie | 1993 | ||||
I'm not lying to you. And I swear from this moment forth. I'll never lie to you again. | |||||||
Gabe Kaplan, Lawrence Hilton-Jacobs (voices), Eric Cohen (writer) | That's where 8000 turkeys put on funny hats, sit on bridge chairs, and vote for the dude with the most balloons | Welcome Back Kotter (Season 1, episode 5: The Election) | 1975 | ||||
You've got to make people who have never met you want to vote for you. Pretend it's a big presidential campaign with the conventions. | |||||||
Campbell Scott, Jesse Eisenberg (voices); Dylan Kidd (director, writer) | What do I do all day? I sit here and think of ways to make people feel bad. | Roger Dodger movie | 2002 | ||||
You can't sell a product without first making people feel bad. It's a substitution game. You have to remind them that they're missing something from their lives. And when they're feeling sufficiently incomplete, you convince them that your product is the only thing that can fill the void. So, instead of taking steps to deal with their lives, instead of working to rout out the real reason for their misery, they run out and buy a stupid-looking paid of cargo pants. | |||||||
Hans Zimmer | Amid the Chaos of the Day | True Romance s.t. | 1993 | ||||
Derived from Carl Orff | |||||||
Carl Orff | Gassenhauer | Badlands s.t. | 1973 | ||||
Jack Weston, Charles "Honi" Coles (voices), Eleanor Bergstein (writer) | It feels lke it's all slipping away | Dirty Dancing movie | 1987 | ||||
It all seems to be ending. | |||||||
Robert Redford (voice); Michael Ritchie (director); Jeremy Larner (writer) | Are there any questions? I'll be happy to respond to anything that's on your mind | The Candidate movie | 1972 | ||||
Peter Finch (voice); Sidney Lumet (director); Paddy Chayefsky (writer) | Death of the individual | Network movie | 1976 | ||||
The people spoke!...because the communists are deader than we are. Dedicated to the free... It's every single one of you out there that's finished. Because this is no longer a nation of independent individuals. It's a nation of some 200-odd million transistorized, deodorized, whiter than white steel-belted bodies, totally unnecessary as human beings, and as replaceable as piston rods. Well, the time has come to say, is dehumanization such a bad word? Good or bad, that's what is so. The whole world is becoming humanoid: Creates that look human, but aren't. | |||||||
The Who | Baba O'Riley | Who's Next | 1971 | ||||
Loops | |||||||
Ken | It matters that everything you do is helpful and expressive | 2017 | |||||
It matters that you smooth the way for everyone to be, being as they are, to be happy, to be clear, to be expressive, to be realized, to be formed. You'll find the set of things that matter for you. You'll know the difference, but you won't be concerned. Don't be concerned, there's no reason to worry. There's only reason to worry. You don't need to have reason. You shouldn't worry. You don't need to worry. You can give up your worry. You can let yourself open and be free. Allow for correction to come naturally. Allow for all things to be correct. Don't worry about it. Be real, be present, be authentic, don't worry, let go, release. If it seems hard, let go a little more. Keep letting go until there's nothing left to let go of. Repeat over the course of your life. | |||||||
Ken | ID | 2017 | |||||
It will end forever | |||||||
Ken | Turn them into what you want | 2017 | |||||
You can start to be inspired in your own way, to make something that's the thing that you'd rather make. Make the thing that you want to make in the world. Just go ahead and start. And keep going, and continue. And then do it a little more. And just keep going. And do that a little bit more. And keep going like that. And just keep going. | |||||||
Ken | ID | 2017 | |||||
I appreciate, I love, I care, I fear, and I release. | |||||||
Steve Paxton | The specific movements my body executes when I improvise do not register consciously, and I can't reconstitute them | Chute (from Contact Improv Archive 1972-1983) | 1983 | ||||
I have little memory (muscular or mental) of what I've danced | |||||||
Artist | Song title | Album | Year | ||||
Comment | |||||||
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